EL HOMBRE QUE VINO DE UMMO aka DRACULA VS. FRANKENSTEIN
Michael Rennie (Dr. Odo Warnoff), Karin Dor (Maleva/Melissa Kerstein), Craig Hill (Inspector Tobermann), Manuel De Blas (Count John Mierhoff), Ferdinando Murolo (Farancksalan's Monster), Gene Reyes (Mummy)
Directed by Tulio Demichelli
The Short Version: This
ambitious, yet terribly troubled Spain-Germany-Italy co-production is a
great deal of fun, despite being a jumbled, insanely nonsensical mess.
Paul Naschy returns as his classic wolfman, the Polish Waldemar
Daninsky, although he's more of a supporting role this time out. He
doesn't even utter a line of dialog till nearly 50 minutes into this 83
minute movie. Michael Rennie, in his last role, plays an alien; this
time a low-rent Klaatu bent on taking over the Earth after their own
planet freezes to death likely because somebody failed to pay the
heating bill. Apparently, money was in short supply funding this lively,
if childishly silly monster packed mini-epic.
Aliens led by Michael Rennie from the
planet Ummo plan to conquer the Earth by using the many superstitious
fears of earthlings against them. This plan involves amassing a motley
clutch of legendary monsters with plans of cloning them to use as an
army to overthrow mankind. They first resurrect a vampire named Count
Mierhoff whose remains are on display in a magicians carnival act. Next,
they bring Waldemar Daninsky back to life after performing an
operation on him removing a silver bullet from his chest. Then it's off
to Egypt for our alien entrepreneurs to unleash a mummy which is
revived by a large golden cross. I'm serious. You can't make this shit
up.
Their final task is to bring to life Dr.
Farancksalan's Monster. Dr. Frankenstein apparently threatened to sue
for the use of his name and likeness so this Farancksalan fellow took
his place. Meanwhile, Inspector Tobermann immediately cries 'monsters are on the loose' and sets out to stop them. The aliens, having apparently seen the 'By Any Other Name' episode
of the original STAR TREK, discover the capacity for love and jealousy
within their human shells that brings about their eventual downfall.
The film climaxes with Toberman and Daninsky in a handicapped tag team
match against the vampire Count John Mierhoff, the Mummy and the
lumbering Creature.
This bizarre, thoroughly bonkers Naschy mish-mash vies with VENGEANCE OF THE ZOMBIES (1972) and the Spanish cut of THE FURY OF THE WOLFMAN
(1973) as the wackiest Spanish horror flick on the Euro icons resume.
It's from the same director as the horrible, if judiciously sadistic
Eurocrime non-epic RICCO (1973), which should tell you the level of
insanity on display here. Absurd plot lines like this one were often
found in the wilds of Mexi-horror, but Spain seemed to be up to the
challenge of creating equally fun, if kooky crapola of the highest
order. 
The plot here makes very little sense
and the inexplicable nature of the narrative leaves little room for
comprehension, forcing one to either shut off their brain, or their DVD
player. This Euro kitchen sink stink has a little bit of everything
floating around in its rainbow colored cesspool. There's an El Cheapo "central control"
set, dozens of flashing sci-fi lights, a Spanish disco scene, flashy
colors, an ambitious scope the films $1.95 budget can never realize and a
cadre of monsters including Naschy as Daninsky, a skinny mummy (the subs refer to it as female?) and a Farancksalan Monster that looks suspiciously like Scott Bakula. 
According to Naschy's memoirs, this
movie had a heftier than usual price tag applied to it. A few directors
were attached to the project including Spanish director Hugo
Fregonese, who had done directing jobs in Hollywood. He worked on the
film for a few weeks before walking away from it enabling Tulio
Demichelli to take over. American actor, Robert Taylor was initially
desired for the role, and reportedly, the actor personally contacted
Naschy about doing the picture. In the end, the role went to Michael
Rennie who arrived in noticeably ill health.
Despite being given a larger than usual
budget, the several months of trouble the picture faced took its toll
on the production till Isasi Isasmendi (presumably the same man responsible for directing SUMMERTIME KILLER in 1972) stepped in and helped out on the film enabling it to be completed.
ASSIGNMENT TERROR has nary a dull moment and not only is this all mon-star mash assembled with (body) parts of better movies, it also has an exceptional cast in front of the camera, too. Michael Rennie (likely best remembered as Klaatu from the iconic 1951 science fiction classic THE DAY THE EARTH STOOD STILL)
masquerades as Dr. Warnoff, the head alien sent to Earth to take over
by using old classic Universal movie monsters; an ingenious idea for
planetary conquest if I ever heard one. 
Apparently, these aliens from the oddly named planet of Ummo (like 'Uno', but with two m's)
are disembodied spirits who need human bodies to survive. The script
doesn't really explain what they are, nor does it say how the head alien
came to find Dr. Warnoff's body. There's also no explanation given as
to why this Plan 9 From Outer Space
requires the mass production of vampires, werewolves and mummies when
it's stated these otherworldly beings have more potent means for taking
over the planet.
Michael Rennie is the evil Dr. Warnoff, although he looks more a tired Dr. Wornout
than anything else. Rennie also seems terribly disinterested in this
movie, particularly in such scenes where he is performing open heart
surgery on Waldemar Daninsky to remove a fatal silver bullet (actual surgery footage is used here!),
or revivifying the silliest looking Frankenstein Monster since the
slapdash creation of Hammer's THE EVIL OF FRANKENSTEIN (1964). This was
the actors final film before dying in 1971 from Emphysema.
Paul Naschy has little to do here except
skulk around in both hairy and human form. His werewolf scenes are
energetic to say the least, even if the make up and fangs aren't up to
par with other entries. He gets scant few lines of dialog and doesn't
even utter anything at all till past the halfway point. Because of this
and the additional gaggle of ghouls, this never feels exclusively like
a Naschy movie.After his body is operated on, Warnoff orders he be given a serum to keep him from changing into a werewolf. Yet that night, he changes anyways and escapes, killing a girl and menacing another. Later on we see him being given this serum. Also, a Mr. Sternberg mentions meeting Daninsky, yet we never see this happen. Possibly there were editing mishaps, too? The highlight, and likely a pleasurable one for Naschy, is that he gets to tussle with two horror heavyweight icons during the finale.
First it's a fist flyin' bandage burner
with the Mummy, who goes out in a uniquely creative fashion. Naschy
himself took on a much more vigorous, and gore happy cloth wrapped
avenger in THE MUMMY'S REVENGE in 1973.Then it's a slugfest with the lumbering Farancksalan's Monster, a creature who has no difficulty opening doors, using keys, pulling levers, and yet seems to walk around with his eyes closed! Daninsky and the Creature toss each other around paying respectable tribute to 1943s FRANKENSTEIN MEETS THE WOLFMAN as they destroy the cardboard control room sets as electric sparks enthusiastically explode around them. Incidentally, Warnoff states this creature is driven electrically, even though this poor man's Frankenstein's Monster is electrocuted at the end!
Craig
Hill, an American actor, took time off in between Italian western roles
to play the determined cop on the case of both the missing and the
murdered. He's one of the few civic figures in films that immediately
jumps to the (correct) conclusion that the crimes are the work of
monsters. You could say Inspector Tobermann was the prototype for
KOLCHAK, THE NIGHT STALKER. If you're familiar with his numerous western
film roles, seeing Hill in a non-sagebrush setting is a welcome change
of pace.
The lovely Karin Dor plays the alien
Maleva, who has hijacked the corpse of Melissa Kerstein. Dor was a
familiar face in Euro horror and also westerns. She graced the screen
in such influential western pictures as the German production TREASURE
OF SILVER LAKE (1962), a film which begat a slew of sequels and helped
usher in the Italian brand of western. Dor was also a beautiful
presence in the supreme Gothic German horror film THE TORTURE CHAMBER OF DR. SADISM (1967) starring Christopher Lee and Lex Barker.
The music score by Franco Solima is
below par and sometimes sounds like it belongs in another movie. Much
like the out of place score for Naschy's bewildering VENGEANCE OF THE ZOMBIES (1972), the quirky late 60s disco cues only add to the
unevenness of the whole enterprise.
Far from a classic, this obscure entry
in Spanish horror cinema delivers brain-dead thrills in spades. You'll
laugh, you'll cry, you'll likely be reminded of how it was being a kid
staying up late to watch these kinds of movies on the late, late show
long after your parents have gone to sleep. I wonder if Fred Dekker had
this movie in mind when doing THE MONSTER SQUAD (1987)? Grab your
popcorn and coke, sit back and be entertained by this woefully
ridiculous, highly entertaining piece of Euro horror goodness.
This review is representative of the R2 Film Art PAL DVD.